Studio Notes

Propolis Tincture - On Thresholds, Time, and Patience

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Propolis Tincture - On Thresholds, Time, and Patience Propolis Tincture - On Thresholds, Time, and Patience
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PROPOLIS | Tincture from Our Hives

Propolis is not made for sweetness.

When bees create propolis, they aren’t thinking about abundance or pleasure. They’re sealing cracks. Reinforcing edges. Lining vulnerable places. Smoothing rough surfaces. They use it to steady the interior of the hive — to control what moves in and out, to keep the space livable.

When a colony is under stress, bees create more of it. Propolis is how the hive responds collectively, reinforcing itself where it’s most vulnerable.

When I make a propolis tincture, I think about time — not as a constraint, but as an ingredient. I’ve always been drawn to processes that refuse to be rushed, that insist on their own pace no matter how convenient it would be to hurry them along.

This tincture takes two months to make.

(and I like that)

Raw propolis, selectively collected from our hives, is macerated slowly in high-proof alcohol. During that time, the resin opens gradually, releasing its depth in stages.

The flavor is dark, bitter, resinous. To me, it tastes the way a healthy hive smells — warm wood, sap, beeswax, something alive and slightly wild. 

I return to it most evenings, after brushing my teeth. That is a description of my own practice, not a schedule I would prescribe for someone else. What remains constant is the attention the material asks of me - in gathering it, making it, and deciding how it belongs in my life.

 

On Studio Notes

Everything created at Cult of Bees begins in the studio. These works exist because I believe care deserves to be studied, refined, and given form.

Whether it is a photograph, a jar of balm, or a jar of honey, the discipline remains the same: to observe carefully, to decide deliberately, and to make something honest. Each piece is an attempt to better understand how touch, material, and attention shape our daily experience.

That is why these notes exist. They are part of the work itself - a record of what was learned through making, and a reminder that careful attention restores depth to ordinary experience.

— Len Luterbach, Maker


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